Long time addicts of het Collectief will undoubtedly remember ‘Ein musikalisches Opfer revisited’ (A Musical Offering Revisited), a programme presenting a kind of ‘warhol

After her studies in Paris, the Finnish composer Kaija Saariaho  chose the path of spectralists such as Gérard

The ‘Quartet for the End of Time’ (1941) is an apocalyptic vision in which the composer Olivier Messiaen, ‐ at the time of writing a war prisoner in Germany – transcends his day‐to‐day catholic faith by inventing ingenious composition techniques in order to achieve a musical translation of the notion of eternity.